2025 Cooper Hewitt Museum, NYC(纽约库珀·休伊特装饰艺术与设计博物馆)
2025-04-19 Bicycle Day
【The Night-Wind Of August… (1913-1915?)】
Wallace Stevens (1879—1955)
The night-wind of August
Is like an old mother to me.
It comforts me.
I rest in it,
As one would rest,
If one could,
Once again-
It moves about, quietly
And attentively.
Its old hands touch me.
Its breath touches me.
But sometimes its breath is a little cold,
Just a little,
And I know,
That it is only the night-wind.
—— ? —— ? —— ? —— ? —— ? —— ? —— ? ——
【《八月的晚风……》(1913-1915?)】
异乡人?史蒂文斯(1879生—1955卒)
【红霞译】
八月的晚风
于我就像老母亲。
心感自得其乐。
沉浸其中，
一如全天下沉浸其中，
假若可以，
再来一次——
夜风吹拂，沉静
又惬意。
那双老手轻抚我。
那股气息触摸我。
但有时会凉气吹袭，
不过丁点而已，
我知道，
毕竟只是八月的晚风。
【注】纽约库珀·休伊特1装饰艺术与设计博物馆是全美唯一一座致力于历史和当代设计的博物馆，位于原实业家安德鲁·卡内基2的乔治亚风格豪宅内，目前推出的是“打造家园——史密森3设计三年展”。
1966年，安德鲁·卡内基豪宅被列入《美国国家史迹名录》。
1. 库珀·休伊特“制桶匠·睿智之辈”
2. 安德鲁·卡内基“男子汉·峡口堡垒”(Andrew Carnegie)
3. 打造家园——史密森“铁匠”设计三年展(Making Home—Smithsonian Design Triennial)
Today in History(历史上的今天):
2025 R. Johnson: a Poem for Deep Thinkers(献给深思者的诗)
2025 Solomon R. Guggenheim Museum, NYC(纽约古根海姆博物馆)
2025 Graffiti Wall of Fame, NYC(纽约哈莱姆区·涂鸦名人堂)
2023 Au Revoir @ Village Teahouse, PA(宾州乡村茶庵·道别午餐)
2021: Comfortable Being Uncomfortable(奋发有为)
2019: We're Not Special(我们并无例外)
2015 GHCS Field Trip @ Green Lane Park(光华绿荫公园春游日)
2014: Spring Soccer Game I(春季足球之一)
Cooper Hewitt, Smithsonian Design Museum
(库珀·休伊特装饰艺术与设计博物馆)
Cooper Hewitt Museum w/ 3 Structures Inspired by the Shapes of 18th-Century Houses by Formerly Enslaved People in Christiansted, Saint Croix
(博物馆设计的三座建筑，灵感源自18世纪圣十字架岛·基督徒之地奴隶建造的老房屋)
1st Visit to Cooper-Hewitt Museum
(初访博物馆 05-02-1998)
Andrew Carnegie Mansion (1902) in Colonial Revival & Georgian Revival Listed NRHP in 1966
(建于1902年的安德鲁·卡内基宅邸——殖民复兴和乔治亚复兴风格，1966年被列入《国家历史迹名录》04-19-2025)
Lenape Ctr w/ Turkey-Feather Capes Suspending from the Ceiling & Covered in Wallpaper Patterned w/ Stylized Tulip Trees Native to Lenapehoking
(莱纳佩“原住民”中心·天花板悬挂着火鸡羽毛斗篷，墙纸上覆盖着原住民家园特有的风格化郁金香树图案)
Fahara: Chicago in View w/ West African Textile Traditions
(快乐：带有西非纺织传统的芝加哥视角)
"FEEL THE SPIRIT" in Hand-Rendered Text on the Carpet
(地毯上手绘“感受精神”文字)
Home is the place where, when you have to go there，
They have to take you in.
——The Death of the Hired Man by Robert Frost in 1915
家是当你不得不去，
而它们必须收留你的地方。
——罗伯特·弗罗斯特1915年的诗歌《雇工之死》
Living Room Yearning for a Sense of Place & Channeling the Formative Site of Orlean, Virginia in Making Home
(客厅·寻找归属感的地方，并在“打造家居”中融入弗吉尼亚“童贞女王”州奥尔良“金光”的关键场地)
The Offering: Presenting a Vignette of Black Family Life Centered upon a Dining Room
(祭献：以餐厅为中心的黑人家庭生活片段)
A Room to Simply Be in a Magical Thing You Can’t Quite Get Inside of w/ Arranging Objects to Evoke Practices of Self-Care & Self-Creation & Black Object, Resembling a Radio, Entitled Spirit Selector & a Framed Picture of a Nebula w/ a Single Brown Eye Protruding from the Cosmic Dust
(一个无法让你轻易进入的神奇房间·里面摆放着各种物品，以唤起自我关怀和自我创造的实践；类似收音机的黑色物体，象征“精神选择器”；星云画中有一只棕色的眼睛从宇宙尘埃中凸起)
Adorned Interior w/ a Single Piece of Plexiglass
(用一整块有机玻璃隔开的内室)
Carnegie Library w/ a High, Ornate Ceiling, Rows of Built-in Wooden Bookcases, Massive Arched Windows, & a Monumental Fireplace w/ Green Marble Trim
(卡内基图书馆·拥有高大而华丽的天花板、成排的嵌入式木制书架、大拱形窗户和大壁炉，壁炉上饰有绿色大理石镶边)
Gold Walls, above the Rich Wood Paneling, Inscribed w/ Various Adages, such as "The highest form of worship is service to man"
(金色墙壁·在华丽木质镶板之上刻着各种谚语，例如：“最高的崇拜形式是服务于人类”)
Kelly Marshall, Birthing of a Nation, Figure 2, 2019
(凯利·马歇尔《一个国家的诞生》图2，创作于2019年)
Wooden Bookcases Filled w/ Sculptures, Textiles, & Even Black Barbies
(摆满雕塑、纺织品甚至黑色芭比娃娃的木制书柜 04-19-2025)
Game Rm Critically Examined Andrew Carnegie's Rise to Power, Networks of Access, & Philanthropic Strategies
(游戏室·批判性地审视安德鲁·卡内基的崛起之路、人脉网络和慈善策略)
Lounge Chair Crafted w/ Hand-Dyed Needle-Felted Wool
(手工染色的针毡羊毛躺椅)
Is Biobank a Home for the Potential Lives of Our DNA @ the Intersection of Surveillance, Cutting-Edge Science, Privacy, & Legal & Ethical Concerns
(生物样本库是否是我们DNA潜在生命的家园？·监控、尖端科学、隐私、法律和伦理问题的交汇点)
William Scott's Work Featuring Transformed City Landmarks & Neighborhood Sites
(威廉·斯科特的作品·展现城市地标和街区的变迁)
William Scott, British Still-Life Painter Known for His Unique Blend of Abstract & Figurative Portraits of African-American Celebrities & Community Members from His Church
(威廉·斯科特——英国静物画家，以其独特的抽象与具象肖像画而闻名，作品描绘其教堂非裔美国名人及社区成员)
Casa Desenterrada/Exhuming Home w/ a Wooden Framework Holding 300 Adobe Bricks Made from Mud Excavated from the Partial Ruins of a Bldg in Conejos, CO
(拯救的废弃土坯房·采用木制框架，内有300块土砖，由从科罗拉多“红色”州兔子镇一栋建筑的部分废墟中挖掘出的泥土制成)
300 Adobe Bricks Made from Mud Rescued to Preserve the Structure and Uncover the Decades of History Transpired @ the Site
(300块被解救出来土坯砖·用于保护建筑并揭开遗址数十年的历史)
Close-up of Adobe Bricks (土坯砖特写)
Hālau Kūkulu Hawai?i The Cries of the Multitudes Presenting a Hale (Arched House) Emboding Grassroots Efforts to Care for That Which Feeds
(夏威夷共建大众家园·展示拱形房屋，体现基层人民对滋养之物的关爱)
Unruly Subjects Holding a Variety of Objects Speaking to Puerto Rican Cultural Patrimony
(难以掌控的题材·各种富含波多黎各“富港”文化遗产的物品)
Acrostic Objects Made from Soils Harvested in Puerto Rico
(用波多黎各土壤制成的藏头诗)
A Display of Natural Pigments w/ Solid Pieces of Earth, Earth Ground into Power, Tools, & Small Papers w/ Gradients of Color Tests
(展示天然颜料、泥土颗粒、研磨成粉的泥土、工具和带有颜色渐变测试的小纸片)
Vejigante Carnival Mask (牛膀胱狂欢节面具)
So That You All Won't Forget: Speculations on a Black Home in Rural Virginia
(让你们永生难忘：对弗吉尼亚州乡村黑人住宅的推测)
Birthing in Alabama: Designing Spaces for Reproduction Containing Text Information on the Gallery Walls, Including Timelines & a Variety of Graphics
(阿拉巴马“植物采集者”州的诞生：设计繁衍空间，在画廊墙壁上包含文本信息，包括时间轴和各种图形)
Patterns of Life: Destroyed by Domicide due to Military Conflict, Urban Development, or Social Upheaval
(生活模式：因军事冲突、城市发展或社会动乱引起的谋杀案而破坏)
Crosslinks(相关博文):
2025 Whitney Museum of American Art(纽约惠特尼美国艺术博物馆)
2024 MoMA, Artistic Movements NYC(纽约现代艺术博物馆·美术倾向)
2024 MoMA, the Adamantine Ladies NYC(纽约现代艺博馆·金刚女士)
Natl Arts Club, Tilde House NYC(纽约国家艺术俱乐部·蒂尔登故居)